Archive for the ‘Random stuff’ Category

Northern Lights

Friday, October 28th, 2011

When I was in Madrid for the PLDC recently I spent a lot of time talking with some wonderful people from Norway, Finland and Sweden. We talked about the Northern Lights – a phenomenon that I would love to see once in my lifetime. To them, of course, it’s not quite so rare but special nonetheless when they see it.

Why the fuss? Check out this spectacularly beautiful movie of the northern lights, recorded over 6 months by Ole C. Salomonsen. And if you like that, be sure to check out his Flickr site too.

 

Spec-Busting

Thursday, October 6th, 2011

Spec busting??? What on earth is all that about?  For the uninitiated, the ‘art’ of spec-busting concerned with taking lighting design documentation, usually produced by a professional design consultant, and then offering equivalent alternative fixtures to the client to save them some money.

What’s wrong with that then?

The problem is that the only people who win are the contractors. Yep, the spec-busters.  Let’s use an example to illustrate why: take a light fixture that has been specified with a value of $100. Let’s say it’s a downlight, for argument’s sake. You can get downlights for $50 or you could spend $200 but the designer has chosen the $100 downlight because that is the one that fits with the project budget which was advised by the client/QS AND that’s the one that the calculations are based on.

All things being equal, the $200 downlight will perform best, the $50 downlight the worst.  The $100 downlight was  chosen and then the design was optimised to make the most efficient use of the product and hence using the minimum number to achieve the required lighting levels. Moreover, the $100 downlight has been properly assessed, we’ve seen a sample, checked the build quality, warranty, quality of control gear and lamp, ease of installation and maintenance. It’s probably from a manufacturer we trust and have used previously. It probably is backed by technical support staff who will be able to provide after-sales service. In short, there was a lot of thought that went into the specification of this product.

Next thing the specification is issued to the contractor for quoting. Here’s what happens: contractor wants to make his quote as competitive as possible and offers the client potential savings on the lighting equipment. He sees a downlight and thinks “a downlight’s a downlight; why do we need to spend $100 when we can spend $50. Or $30″?  Contractor looks good in the eyes of the client (who’s probably wondering why their consultant was wasting their money on expensive fittings in the first place).  But the contractor isn’t passing on the savings to the client. They’ll substitute for the $30 fitting and offer it to the client for $60. The client thinks he’s saving $40 per fitting (and there might be lots of them and hence a lot of money).

But guess what? You get what you pay for.  The client gets a way inferior product that won’t perform nearly as well as that specified. I have never experienced a contractor finding a better value for money fixture than the one we specified. Like ever. Stands to reason doesn’t it? We’re professional lighting consultants, that’s what we do for a living every day. The contractor isn’t.

Who would you trust to choose the lights?

 

Culture and leadership

Wednesday, September 21st, 2011

I recently had the pleasure of spending some time with the leadership group of Zumtobel.

Zumtobel is an Austrian lighting manufacturer who produces high quality luminaires servicing the architectural lighting market. The Australian branch of the company is based in Sydney and run by Marianna Jackson.  Marianna’s team that I met has worked with her on average well in excess of 10 years. There is a camaraderie among the team and a genuine fondness and respect for one another that was as delightful to see as it was unusual.  The team were also united behind the product range that they represent, absolutely.

I have been reading Tribal Leadership by Dave Logan et al recently as well as other stuff on heroic versus port-heroic leadership styles.  A strong company culture such as that created and then nurtured by Marianna is very special.  When I asked her about it, of course she played it down but it was evident that she treats her team with respect, provides them with the support and encouragement they need to grow and has fun along the way.

No wonder they stick around.

 

Tips for lighting entrepreneurs?

Friday, August 26th, 2011

I am giving a paper to the PLDC conference in Madrid in October which is all about how to set up and run a successful lighting design practice.

I know that many readers of this blog are entrepreneurs themselves – I believe that there are some common issues that would apply if you run a lighting or any other kind of business. What are they?  I’m interested in things like the business side of the role, developing the right culture for the team, the role of social media, your brand.  So much to consider…

Do you have any pearls of wisdom that you would like to share to help others successfully navigate the seas of small business?  If so, I would love to hear from you either by leaving a comment or emailing me at info@electrolight.com.au

Thanks in advance, Paul Beale

Jay-Z: I'm not a businessman, I'm a business.... man

 

 

Pecha Kucha

Monday, April 18th, 2011

We are proud to support and promote the upcoming  Pecha Kucha event in Melbourne – and it’s all about lighting.

The event came about after the judging of the IES Vic lighting design awards last year.  Awards convenor (Electrolight’s own) Dave Anderson and judge Antony Di Mase were keen to continue the conversation, asking speakers to respond to the question: what is light?

It should be a fantastic night – many of the prominent designers and thinkers will be presenting and all proceeds go towards earthquake relief efforts in NZ, Japan and Haiti.  If you love lighting (and if you are reading this blog you probably do) get yourself along.

Details: Donkey Wheel House, 673 Bourke St, 6.30, Thursday 28 April, $10 on the door.

Secured by Design

Monday, November 15th, 2010

One of our designers Dave Anderson came across this initiative from the UK Police called Secured by Design.  Despite its unfortunate acronym, SBD talks a lot of sense regarding lighting design in urban areas.

Some key points:

  • Improved lighting can be effective in reducing fear of crime, and in certain circumstances reducing the incidence of crime;
  • Different lighting sources need to be considered for different environments – the character of the local environment must always be respected.

sbd2It states that ‘Research confirms that where public lighting is weak or patchy, increasing the levels and consistency of illumination reduces the fear of crime and makes people feel more secure. The relationship between lighting and crime itself (as opposed to fear of crime) is somewhat more complex, but recent research (Farrington & Welsh 2002, Home Office research study 251) indicates that improved lighting can indeed result in crime reduction, particularly when this has been combined with other community safety initiatives.’

The report also talks about the importance of light quality and advocates white light instead of sodium sources with poor colour rendering.

We believe that good quality lighting is  an essential component of designing for security.  We feel that it is important to design in a way which is respectful to the local community – not assuming everything needs to be ultra vandal-resistant just because an area may be socially disadvantaged.  Provide decent lighting and we believe people will respond favourably, will appreciate the gesture and benefit from the improved amenity.  Its not just good design, it’s respect.

Too many downlights?

Sunday, November 7th, 2010

Is there such a thing as too many downlights?  When we saw the below image the first thing we thought was: ‘wow, look at all those downlights’.  Is that just because we are lighting designers and the lights are the first thing we look out for? Or is the form of the architecture compromised by such a prominent arrangement of lights?

toomanydls

We found this image associated with the following article at comtemporist.com

It’s interesting to scroll to below the article and read the comments.  The lighting sparks a lot of debate around aesthetics and energy consumption.

If ever asked what Electrolight’s ‘house style’ is in relation to residential projects we tend to say something along the lines of ‘the opposite of a load of recessed downlights and a feature pendant’.  We much prefer working collaboratively with the architect to weave light into the fabric of the building, using understated fixtures cleverly concealed.  Generally speaking, we are more interested in the light coming from the fixture than the fixture itself.

But that’s just us.  I’d be most interested to see examples where other approaches really work and gives a beautiful outcome.  Agree? disagree? have we missed the point? drop us a comment and we’ll share your thoughts here.

The Dark Side of Light

Monday, October 18th, 2010

There is research out of the US that suggests exposure to light at night may be a contributing factor towards obesity.  Trials conducted on mice (which have a similar genetic structure to humans) show that those exposed to higher lighting levels at night will gain more weight (up to 50%) than those with darkness at night.  The timing of food intake also is a factor – the later, the more likely this is to cause weight gain.  It’s a really interesting article which may be read in full by clicking to link to the Economist’s website.

fatblog

AC/DC vs Ironman 2

Wednesday, September 15th, 2010

On the site of a thousand years of violent history, AC/DC were pitted against Iron Man in a ground breaking architectural projection mapping project.  The front facade of the Great Keep at Rochester Castle, was brought to life using the latest in 3D animation techniques. This onslaught of the senses, saw the castle confront it’s ultimate challenge. Warping, morphing, spewing and collapsing before the audiences eyes. Let there be rock! (credit PLD mag online).

Lord of the Fries

Tuesday, August 31st, 2010

My life as leader of Hardware Lane’s most influential lighting design practice can be pretty exciting at times.  I get to meet some wonderful people and see some fantastic things.

Last weekend I spent a few hours up at Northland Shopping Centre in Melbourne’s northern suburbs.  A visit to the cinema (the new Thomas the Tank Engine film) was followed by some time at the kids play area.  Coincidentally (unless you are cynically-minded), this is where the fast food outlets are located and I found myself checking out the lighting to the Lord of the Fries restaurant.  And therein found proof of a lesson in light which I will share today: it doesn’t matter how much light you put into a space with a black ceiling, walls and floor; it’s always going to look dark.  There were dozens of high-powered fluoros cranked up to the max and the place hardly looked open.  Don’t get me wrong – I’m sure the fries are delicious but the interior was, well, a bit of a mouse-hole.

lord-of-fries1